山不在高,有仙則名, 水不在深,有龍則靈。 斯是陋室,惟吾德馨。-陋室銘。朗誦著這淡泊名利的詩詞,您想吸收中華文化五千年所累積下來的文化結晶嗎? 您想瞭解詩人們筆下的優美詩句所透露的真正含意嗎?您想學習古人的曖曖內含光,以及老樹移栽的古老智慧嗎? “Known will a low hill be if the a fairy dwell; charmed will a shallow water be if a dragon reside; and fames will a humble house be if a virtuous person lives”.An Eulogy on My Humble AbodeDo you want to know the wisdom of Chinese culture embedded in the beautiful poetry?
指定用書
Textbooks
♠ | |
♠ | 臺北市 : 國家, 2002[民91].[ISBN 957-36-0745-X (平裝)] |
♠ | 每個劇目分「作者」、「題解」、「劇本」、「注釋」四部分。「題解」中包括版本、戲曲基本常識和簡要賞析。 |
♠ | 清華大學 人社分館 索書號 853 8362-2 |
♠ | 清華大學 總圖 索書號 853 8362-2 C.2 (限館內閱覽) |
♠ | Tseng Yung-yi, Opera Museums (National Press) Selection Notes Taipei:National, 2002 [91] |
[ISBN 957-36-0745 - X (paperback)] In the book, selected repertoire is classified by type of | |
drama. Each repertoire is divided into the "author" and "problem solution", "script", "Notes". | |
"Solution" includs the version, the opera basic common sense, and a brief appreciation. | |
♠ | For Human and Social Sciences LibraryNumber 8538362-2General Plan, Tsinghua University |
No. 853 8362-2 C.2 of (limited to the library to read) |
參考書籍
References
♠ | 詩歌與戲曲 曾永義 /聯經 1988 |
Poetry and Drama Tseng Yung-yi / Linking 1988 | |
♠ | 中國古典戲劇的認識與欣賞 曾永義 /正中 1991 |
Understanding and appreciation of classical Chinese drama Tseng Yung-yi / middle of 1991 | |
♠ | 從腔調說到崑劇 曾永義 /國家 2002 |
It comes from the tone of Kunqu Opera Tseng Yung-yi / country 2002 | |
♠ | 當代戲曲 王安祈 /三民 2002 |
Contemporary opera Wang Chi / Sanmin 2002 |
♠ | 老師講授,同學以簡單形式演出劇作一部 |
Teaching in class,Students performing a simple play |
教學進度
Syllabus
A.戲曲發展史(代表性劇種) | ||
1 | 漢百戲 | |
2 | 唐戲弄:踏謠娘、參軍戲 | |
3 | 宋雜劇 | |
4 | 金院本 | |
5 | 元雜劇 | |
6 | 宋元南戲 | |
7 | 明清傳奇 | |
8 | 南雜劇 | |
9 | 花部亂彈(京劇、地方戲) | |
10 | 當代戲曲 | |
B.劇本選讀 | ||
1 | 元雜劇 | |
(1)竇娥冤 (2)牆頭馬上 (3)漁樵記 (4)秋胡戲妻 (5)薦福碑 | | |
2 | 宋元南戲 | |
(1)幽閨記:曠野奇逢 | ||
3 | 明清傳奇 | |
(1)寶劍記:夜奔 (2)牡丹亭:閨塾、驚夢、尋夢、拾畫、叫畫 | ||
4 | 南雜劇 | |
(1)昭君出塞 | ||
5 | 京劇 | |
(1)三堂會審 | ||
6 | 當代戲曲 推薦劇目: | |
(1)曹操與楊修(京) | ||
(2)荒誕潘金蓮 (川、京) | ||
(3)金鎖記(京) | ||
Syllabus
A. The history of opera (representative operas)
(1) Han Bai xi
(2) Tang Xi Nong: Ta yao niang, Can-Jun drama
(2) Tang Xi Nong: Ta yao niang, Can-Jun drama
(3) Song Zaju
(4) Jin yuan-pen
(5) Yuan Zaju
(6) Nanxi in the Song and Yuan Dynasties
(7) Chuanqi Drama in the Ming and Qing Dynasties
(5) Yuan Zaju
(6) Nanxi in the Song and Yuan Dynasties
(7) Chuanqi Drama in the Ming and Qing Dynasties
(8) Southern Tsa-chu
(9) Hua Bu Luantan Opera(Beijing Opera, Local Opera)
(9) Hua Bu Luantan Opera(Beijing Opera, Local Opera)
(10) Contemporary Chinese Opera
B. Script Readings
1.Yuan Zaju
(1)The Injustice to Dou E
(2) Pei Shaojun And Li Qianjun
(3) Yuqiɑo Ji
(3) Yuqiɑo Ji
(4) Qiuhu dallied with his wife
(5) Jian Fu Bei
2. Southern Opera in Song and Yuan Dynasties
(1) Yu qui zi
3.Chuanqi Drama in the Ming and Qing Dynasty
(1) A Tale of the Double-edged Sword
(2) The Peony Pavilion: Gui Sook, jing meng, shin meng, shi hua, chiao hua
4.Southern Drama
(1) Zhaojun Outside the Frontier
5 Beijing Opera
(1) Shan Tan Hui sheng
6.Contemporary opera recommended repertoire:
(1) Cao Cao and Yang Xiu
(2) Huan Dan Pang Jin lian
(3) The Golden Cangue
(3) The Golden Cangue